Could Not Be Worse
Favorite Track: Whichever one is currently playing. This album kills, and you owe it to yourself to listen with no distractions and headphones on.
The mixing and mastering of the album feels worth shouting out — every instrument can be heard distinctly yet never overtakes a track. The bass and beats are deep and resonate, pulling you down into the warmth of this album, while the horns and winds lift you into their lilting and bold exultations.
fynnfreyer
RIP DOOM ... one of the greatest!
This is such a nice instrumental reinterpretation of the Madvillain beats. Really does the original justice
Favorite track: Raid.
Led by Saxophonist Rob Mitchell, Abstract Orchestra have been a consistent presence on the u.k. music scene, touring constantly in promotion of their debut LP “Dilla” and follow up 45 “New Day feat. Illa J”, steadily building a loyal and supportive fanbase. Inspired by the legendary live performances of The Roots with Jay-Z and the 40 piece orchestral arrangements by Miguel-Atwood Ferguson of the work of J Dilla, classic arranging techniques underpin modern loop-based structures, breathing new life into familiar material.
The band itself is based on the classic jazz big band instrumentation of saxes, trumpets and trombones and features the cream of the north of England’s jazz scene who collectively have played with Jamiroquai, Corinne Bailey Rae, Mark Ronson, Martha Reeves, John Legend & the Roots, Roots Manuva and Amy Winehouse.
“Madvillain Vol. 1” takes the template of their debut LP “Dilla” and applies the same approach to the collaboration of MF Doom and Madlib, aka MADVILLAIN and their albums MADVILLAINY and MADVILLAIN 2. Sampling the likes of Sun Ra, Bill Evans, Freddie Hubbard, George Duke, Dr. Lonnie Smith, Quincy Jones and Stevie Wonder gave the albums a jazz oriented feel and ethos which in turn lend themselves perfectly to the deconstruction and re-imagining of Abstract Orchestra. As with their debut, all the tracks were recorded live in the studio with very few overdubs.
Abstract Orchestra’s MADVILLAIN Vol 1. explores the jazz, TV soundtrack and film score aspect of the original work, combining it with classic big band writing and a focus on improvisation. There is a strong influence of Quincy Jones, Lalo Schifrin and David Shire (Composer of the soundtrack to The Taking of Pelham 123) on the album, and the arranger Rob Mitchell crafts his own sound that inhabits the space between Madlib’s production and Quincy Jones’ writing. Bandleader and arranger Rob Mitchell says of the record: “‘MADVILLAINY’ is a jazz album as much as it is a hip-hop album and I wanted to explore this reciprocal territory there has always been between jazz and hip-hop. 70’s cop show soundtracks have always captured my interest and imagination, and I discovered so much amazing music through TV themes, Quincy Jones and Lalo Schifrin in particular. They explored sounds that were menacing, angular, dissonant, frantic and yet captivating. They were also able to write music that was the flip side of all that dark chaos, and write lush and beautiful music. Arranging and scoring up MADVILLAIN Vol 1. Has allowed me to explore these sounds that I’ve always loved, yet keeping a strong hip-hop identity as the core of its sound.”
Abstract Orchestra is an allstar Hip-hop Big Band made of the finest musicians in the U.K. Inspired by the legendary live
performances of The Roots with Jay-Z and the 40 piece orchestral arrangements by Miguel-Atwood Ferguson of the work of J Dilla, the band strives to merge great musical arrangements with incredible Hip-hop to create an amazing live experience that truly is jaw dropping....more
supported by 136 fans who also own “Madvillain Vol. 1”
I'm a bit anoid with my silf that I only just found this fantastic album yesterday, but also chuffed to fuck that I have at all. Love it so much what a wining collaboration 👊🔥🔥 Toblermone
Brooklyn's Cisco Swank teamed up with collaborators like Luke Titus to create an album shaped by R&B, jazz, and hip-hop sounds. Bandcamp New & Notable May 26, 2023